Create a private-jet guru parody

Step by step

Run the workflow

1. 01

   Record the performance

   Film your talking-head clip.

   

2. 02

   Open Genjutsu

   • Open Higgsfield (opens in a new tab)

   Open Video in Higgsfield and select Genjutsu.

   

   

3. 03

   Generate the parody

   1. Choose Objects swap and upload the video. Add your optional clothing or scene reference.
   2. Adapt the prompt to your script, then select Generate.

   Show copyable prompt

   Modify the prompt and use it:
   
   Use @[Video 1](video_1) as the ABSOLUTE MASTER VIDEO for the original man’s identity, face, speech, performance, movements, timing, framing, and camera motion.
   
   
   Transform the domestic room into a photorealistic luxury private jet hangar. Change his clothing, environment, and specified props while preserving the ORIGINAL MAN and his original performance.
   
   
   CRITICAL: PRESERVE HIS EXACT FACE AND FACIAL PROPORTIONS from @[Image 4](image_4)
   
   
   @[Video 1](video_1) is the ONLY identity reference for the main man.
   
   
   Keep his original facial structure, eyes, nose, mouth, skin texture, hairstyle, hairline, age, and expressions. Preserve his exact face width, cheek volume, cheekbone definition, jaw width, jawline, chin shape, and under-chin contour.
   
   
   DO NOT make his face wider, rounder, fuller, puffier, or heavier. Do not add cheek fullness, jowls, or extra volume beneath his chin. Do not artificially slim or beautify him either. Match his ORIGINAL facial proportions precisely.
   
   
   Preserve the original relationship between his head, neck, shoulders, and body. Do not enlarge his head, thicken his neck, or broaden his body when applying the tuxedo.
   
   
   Match his face to the corresponding moment in the original video, including natural expressions, speaking movements, head turns, and changes in distance from the camera. Do not freeze his expression to preserve identity.
   
   
   Treat his face and hair as retained source footage. Change the clothing around his existing head and build the environment around his existing performance. Adjust facial illumination naturally without altering facial geometry or smoothing away his cheek and jaw definition.
   
   
   Completely ignore the face, hair, head shape, and body proportions of the man in @[Image 4](image_4). Borrow ONLY his tuxedo design. Never blend his identity with the original man.
   
   
   REFERENCE ROLES
   
   
   @[Image 1](image_1): Reference ONLY for the red Lamborghini. Match its red paint, aggressive body kit, front splitter, white wheels, dark windows, and large rear wing. Ignore the reference landscape.
   
   
   @[Image 2](image_2): Reference ONLY for the gold Rolex Day-Date. Match its gold bracelet, fluted bezel, patterned gold dial, and diamond hour markers.
   
   
   @[Image 3](image_3): Reference ONLY for the rainbow-bezel Rolex. Match its multicoloured gemstone bezel, dark chronograph dial, subdials, and rose-gold case and bracelet.
   
   
   @[Image 4](image_4): Reference for the private jet, hangar atmosphere, lighting, boarding stairs, red carpet, white tuxedo design, and blue-haired maid’s appearance and uniform. Ignore the main man’s identity and the bags in this image. Do not use this still image to override the original video’s framing or camera movement.
   
   
   @[Image 5](image_5): Reference ONLY for the bags. Match the pictured bag design, colours, materials, shape, handles, proportions, and visible printed details. Use this design for both carried bags, exactly TWO bags total. Ignore the reference background and any person shown.
   
   
   ORIGINAL AUDIO, SPEECH, AND PERFORMANCE
   
   
   Preserve the original audio, exact voice, words, pronunciation, pacing, pauses, and speech timing. Keep his original mouth movements and lip sync. The ORIGINAL MAN visibly speaks every line himself.
   
   
   Follow his original entrance, stepping motion, walking path, body movements, head turns, gestures, wrist presentations, and final performance.
   
   
   Preserve his bag-handling timing and overall arm trajectory, but turn the original bag-placement action into a direct handoff to the maid.
   
   
   Preserve the original camera movement, framing, perspective, duration, and aspect ratio. No new cuts, additional angles, inserted product shots, slow motion, speed ramps, or extra choreography.
   
   
   The timestamps below are approximate anchors. The corresponding action and camera timing in @[Video 1](video_1) always take priority.
   
   
   CLOTHING AND ENVIRONMENT
   
   
   Dress the ORIGINAL MAN in an expensive white tuxedo inspired by @[Image 4](image_4): white satin lapels, white dress shirt, black bow tie, matching white trousers, and polished formal shoes.
   
   
   Tailor the clothing to his existing body. Preserve his original build, shoulder width, neck thickness, and head-to-body proportions. Use realistic fabric texture, folds, and movement.
   
   
   Replace the entire domestic room with a spacious, ultra-rich private aircraft hangar inspired by @[Image 4](image_4). Include a full-size white private jet, open cabin door, illuminated boarding stairs, red carpet, high ceilings, structural beams, polished concrete flooring, and realistic architectural lighting.
   
   
   Remove all original domestic walls, shelving, furniture, household fans, and filming equipment.
   
   
   THE BROWN CHAIR MUST BE COMPLETELY ABSENT FROM EVERY FRAME. Remove its seat, backrest, legs, shadow, and reflection. No chair beneath or behind the maid. No replacement stool, table, or hidden surface supporting the bags.
   
   
   The maid stands directly on the hangar floor in the original chair’s interaction area on screen-right.
   
   
   0–3.5 SECONDS: PRIVATE JET ENTRANCE
   
   
   Match the original man’s entrance and downward stepping motion precisely. Align the jet doorway and final boarding steps with his existing starting position, foot movements, and walking trajectory.
   
   
   He appears to descend from his private jet and approach the camera at the original pace. Do not add extra steps or prolong the descent.
   
   
   Replace the original carried items with EXACTLY TWO bags matching @[Image 5](image_5), one in each hand. Preserve his original grip positions and arm movements. The handles fit naturally into his hands, with believable weight and swinging motion.
   
   
   The maid is already waiting on screen-right in the former chair’s location. She is a fully formed adult person from the beginning, never a chair transforming into a person.
   
   
   The red Lamborghini remains entirely outside the opening camera view.
   
   
   3.5–6.5 SECONDS: DIRECT HANDOFF TO THE MAID
   
   
   Use one adult maid matching the blue hair and black-and-white uniform in @[Image 4](image_4).
   
   
   As the man turns toward her with the bags, she reaches forward to receive them.
   
   
   At approximately 6.5 seconds, his original lowering and releasing action becomes a direct hand-to-hand transfer. She bends slightly and positions her hands at his existing bag-release height.
   
   
   Her fingers securely grasp the handles BEFORE he releases them. The bags’ weight transfers naturally from his hands to hers. Adapt her reach and posture to his existing movement, allowing only the minimal adjustment to his fingers needed for a convincing handoff.
   
   
   He PASSES BOTH BAGS INTO HER HANDS. He does not place them onto furniture, an invisible seat, or the floor.
   
   
   After the transfer, his hands are empty. The maid straightens naturally and holds both bags suspended from their handles. She remains to the side, holding them whenever visible for the rest of the video.
   
   
   Keep the same two bags and the same reference design throughout. No duplication, disappearing handles, floating bags, intersecting hands, or bags returning to his hands.
   
   
   AROUND 10.5 SECONDS: LAMBORGHINI REVEAL THROUGH THE ORIGINAL LEFT PAN
   
   
   Park ONE full-size red Lamborghini matching @[Image 1](image_1) farther to the LEFT, completely OUTSIDE the opening camera frame.
   
   
   Before the original camera pans left, no part of the Lamborghini is visible. No visible red bodywork, wheels, rear wing, or reflection revealing it early.
   
   
   At the exact moment the camera begins its slight LEFTWARD PAN in @[Video 1](video_1), around 10.5 seconds, the Lamborghini progressively enters the image from the LEFT EDGE.
   
   
   Match the original pan’s start time, direction, speed, and extent. Position the car so that this existing movement reveals it as the man makes his original presenting gesture toward the floor-standing fan/air cooler.
   
   
   Replace that appliance with the referenced Lamborghini, positioned at a realistic distance within the expanded hangar. Orient the car’s front quarter toward the camera. Preserve full-size vehicle proportions and the reference body kit, white wheels, and rear wing.
   
   
   The car remains stationary throughout. The CAMERA MOVEMENT reveals it.
   
   
   Do not show it before the pan. Do not drive or slide it into the frame. Do not fade it in, materialise it, enlarge it, or morph the appliance visibly into a car. Do not widen the opening shot or add another camera move.
   
   
   After the reveal, the car remains in the same physical location. Its visibility follows the original camera framing.
   
   
   AROUND 14 SECONDS ONWARD: TWO WATCHES
   
   
   Preserve his original wrist-presentation sequence and exact gesture timing.
   
   
   The wrist he presents FIRST wears the rainbow-bezel Rolex from @[Image 3](image_3).
   
   
   The OPPOSITE wrist he presents SECOND wears the gold Rolex Day-Date from @[Image 2](image_2).
   
   
   Exactly one watch per wrist, two watches total. Both watches are worn from the beginning and become clearly visible during his existing gestures. Keep each watch attached to its assigned wrist throughout.
   
   
   Match the reference designs at realistic wristwatch scale. Preserve his original hands, fingers, wrist rotations, and distance from the camera. Let the tuxedo cuffs move naturally to expose the watches without adding new gestures.
   
   
   Use realistic metal and gemstone reflections. No oversized watches, floating jewellery, swapping wrists, duplicate watches, or exaggerated sparkle effects.
   
   
   Continue his original speech, expressions, and movements unchanged until the final frame.
   
   
   PHOTOREALISTIC INTEGRATION
   
   
   Match the man, maid, aircraft, car, bags, and watches to the same lighting direction, colour temperature, exposure, perspective, depth of field, and motion blur.
   
   
   Use realistic floor contact, grounded shadows, consistent reflections, fabric movement, and object weight. Maintain stable spatial positions even while objects are outside the frame.
   
   
   Relight the original man’s face naturally for the hangar without widening it, adding facial volume, or losing his original cheek and jaw definition. Avoid flat lighting or excessive skin smoothing that makes his face appear fuller.
   
   
   FINAL REQUIREMENTS
   
   
   Keep the exact ORIGINAL MAN’S FACE and facial proportions throughout.
   Keep the original speech, voice, mouth movements, and timing.
   Keep the original performance and camera motion.
   Change his clothing to the referenced white tuxedo without changing his build.
   Remove the brown chair completely.
   Show a direct transfer of both bags into the maid’s hands.
   Keep the Lamborghini entirely out of view until the original camera pans left.
   Reveal the stationary Lamborghini through that camera pan only.
   Maintain one consistent watch on each wrist.

   

   

4. 04

   See the result

   Play the generated video.